OBJECTS IN SPACE
AND TIME

see also objectsinspaceandtime.com and also flickr.com/photos/fish2000
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• Feb 01 •
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Poster for the primary conference for the Python programming language (“PyCon”) by Idan Gazit, who said of his work: “it turns out that design is a lot of work, just like code.” As a graphic designer who has also done some Python, I say to Mr. Gazit: Your posters’ is excellent work. And also yes, the small percent design practitioners whose commissions require their authorship — as with your poster — are quite hard at work.

I know that the fresh-out-of-art-school know-it-all twats are often the loudest and most prominent members of the graphic design rank-and-file. But despite whatever impression they or anyone else might give you: pure visual communication isn’t napkin-sketch bullshit, nor is it circuitous intellectualism; it’s laborious work — work that is often thanklessly misunderstood by non-practitioners.

It is also awesome. The corollary to the demands of design work is that it is highly rewarding, across many modes of thought and action. E.g. the summer before I studied architecture, I did construction work, and it made me into a non-pasty, non-neckbearded, physically tough guy (however briefly); stereotypically librarianish artisan-book designers are often surprisingly fast and strong as well, from working every day with cast-iron presses and antediluvian guillotines; if Mr. Gazit’s poster is to be rendered on something like a sheet-feed Heidelberg Speedmaster, he may find a range of new and enlightening challenges ahead, if he’s to shepherd his work through an on-press gauntlet. Few schools can teach ink trapping minutiae, soft-proofing mental gymnastics, or the niceties of decorum when talking to alcoholic printers’ assistants over late-night sandwiches.

I don’t want to be a snotty asshole about it, really — I love (love!) the praximal union of physical and mental challenge that one may find in the less topical, unglamorous subprocesses of design practice. I do hope Mr. Gazit is aglow with pride for his design, and that the final printed product affords him and the PyCon staff with an equally rewarding sense of accomplishment. I am also personally psyched that the core Python community (whom I also love) has a distinctive and memorable poster this year at PyCon. Keep up the hard work, guys. Yes!

Poster for the primary conference for the Python programming language (“PyCon”) by Idan Gazit, who said of his work: “it turns out that design is a lot of work, just like code.” As a graphic designer who has also done some Python, I say to Mr. Gazit: Your posters’ is excellent work. And also yes, the small percent design practitioners whose commissions require their authorship — as with your poster — are quite hard at work.

I know that the fresh-out-of-art-school know-it-all twats are often the loudest and most prominent members of the graphic design rank-and-file. But despite whatever impression they or anyone else might give you: pure visual communication isn’t napkin-sketch bullshit, nor is it circuitous intellectualism; it’s laborious work — work that is often thanklessly misunderstood by non-practitioners.

It is also awesome. The corollary to the demands of design work is that it is highly rewarding, across many modes of thought and action. E.g. the summer before I studied architecture, I did construction work, and it made me into a non-pasty, non-neckbearded, physically tough guy (however briefly); stereotypically librarianish artisan-book designers are often surprisingly fast and strong as well, from working every day with cast-iron presses and antediluvian guillotines; if Mr. Gazit’s poster is to be rendered on something like a sheet-feed Heidelberg Speedmaster, he may find a range of new and enlightening challenges ahead, if he’s to shepherd his work through an on-press gauntlet. Few schools can teach ink trapping minutiae, soft-proofing mental gymnastics, or the niceties of decorum when talking to alcoholic printers’ assistants over late-night sandwiches.

I don’t want to be a snotty asshole about it, really — I love (love!) the praximal union of physical and mental challenge that one may find in the less topical, unglamorous subprocesses of design practice. I do hope Mr. Gazit is aglow with pride for his design, and that the final printed product affords him and the PyCon staff with an equally rewarding sense of accomplishment. I am also personally psyched that the core Python community (whom I also love) has a distinctive and memorable poster this year at PyCon. Keep up the hard work, guys. Yes!